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Category: audiovisual

MARCH 2009 – Film RMX – BEV Festival (UK)

By Gabriela Dworecki Posted on March 30, 2009 Posted in audiovisual, projects Tagged with birds eye view, confabulation, raindance

Me and my work partner Nayana prepared a special VJ set for the closing party of the Birds Eye View Festival. We were given two of the silent films to mess with (The Temptress and Alraune), part of the special …

MARCH 2009 – Film RMX – BEV Festival (UK) Read more »

NOV 2006/DEC 2008 – Duodroume VJ in Spain

By Gabriela Dworecki Posted on December 30, 2008 Posted in audiovisual, projects Tagged with duodroume, spain

In Madrid I had the opportunity of working with several producers and dj’s on the extreme electronic scene. Some of the flyers:           

MAY 2008 – Songs of Disaffection @ Festivals

By Gabriela Dworecki Posted on May 31, 2008 Posted in audiovisual, projects Tagged with songs of disaffection

The remix of Guy Maddin’s film with the Venetian Snares Album was selected for the A/V festival Audiovisiva in Milan This work was also screened at Straight out of Brisbane (AU) TAA London And a Hungarian Film festival in Budapest

AUG 2007 – Razor Pleasure – Amboss – Subversion11

By Gabriela Dworecki Posted on August 21, 2007 Posted in audiovisual

madvideoremixoffrankenhookerfrom1990 forthetrackrazorpleasurebygermanextreme electronicproducerambossdarkdrumncore

JULY 2006 – Nidddah and Justice Yeldham (UK)

By Gabriela Dworecki Posted on July 31, 2006 Posted in audiovisual Tagged with collaborations

On a more than special collaboration with the Spanish Musician Tsunami Killcore we created the 28’ A/V performance called “Nidddah” And had the opportunity of interviewing the Australian body noise Performer Justice Yeldham. About him: What’s been described as “a trumpet …

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NOV 2005 – Duodroume VJ (ES)

By Gabriela Dworecki Posted on October 31, 2005 Posted in audiovisual Tagged with Europe

After 24 years of living in São Paulo, I felt the need to explore other worlds, specially my European roots. I always connected more with European Cinema than the films produced in my country of origin. So I finally got …

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